Letting the materials speak, an interview between Mira Dayal and writer Louis Bury on BOMB magazine covers Dayal's practice from her first solo exhibition with the gallery to the current.

"At a time when art installations are often designed for Instagram appeal, Mira Dayal’s work quietly pushes in the opposite direction. In That Empire . . . (2021) at Spencer Brownstone Gallery centered around a one-to-one topographical map of the gallery floor, drawn in graphite upon the same floor. A Hairline Crack (2019) at Gymnasium consisted of trompe-l’œil cracks drawn on the gallery walls. Anagen (2019) contained dangling wisps of the artist’s hair sewn into drop-ceiling tiles installed at Lubov. Installations such as these eschew bold visuals and instead favor the physical gallery experience."

Read the full article here.