
The upcoming exhibition at Diamler Contemporary is entitled “Conceptual Tendencies 1960′s to Today”. It will feature recent acquisitions alongside a variety of Concept Art related works from their collection. The expression “Concept Art” was coined by Sol LeWitt in the mid-1960′s, and the exhibition will show art representing varying trends from that period up to the 1990′s – by artists such as Albert Mertz, Joseph Kosuth, Daniel Buren, Andre Cadere, Olivier Mosset, Arakawa and Dan Graham – alongside pictorial and media statements by more recent exponents of Conceptual Tendencies such as Martin Boyce, Santiago Sierra, Jonathan Monk, Isabell Heimerdinger, Andres Reiter Raabe and Lasse Schmidt Hansen. A total of 80 works by 20 artists from Germany and further afield will be shown.
Concept Art as an independent artistic movement developed in the USA and Europe in the mid 1960′s, based on fundamentally new definitions of the work of art and the role of the viewer in Minimal Art and Zero Avantgarde around 1960. The characteristic formal features are clearly defined: Objective structures, creative systems that are complete in themselves and – overcoming classical painting and sculpture – a tendency to dematerialize the artwork. The conditions under which art comes into being are examined, along with temporal and spatial structures, the congruency of theory and practice, the possibility of involving the viewer intellectually and physically, and also the general conditions for presenting and responding to art in institutional contexts.
Opening: Thursday, October 6th, 2011, 7 PM
Daimler Contemporary
Haus Huth, Potsdamer Platz Berlin